This blog is dedicated to music, live and recorded. I review shows and albums and also publish feature stories on artists.

Tuesday, July 31, 2007

PICK OF THE WEEK: Ryan Adams & The Cardinals - Thursday & Friday, August 2nd & 3rd - Fox Theatre and Red Rocks, CO

Why You Should Go: At its best Ryan Adams' music is simply beautiful and mesmerizing. At its worst his loose alt country ditties that are entertaining and would land most artists a record deal of some kind. Some would argue that his prolific output comprimises the quality of his records but he stands by his work and claims it deserves attention, and I agree with him. However, I do think that had he culled one album from the 3 he released in 2005 he would have easily had one of the best records of the decade so far.

The music of Adams and The Cardinals invokes images of the Grateful Dead, Neil Young, and Wilco when they on their game. They are currently touring in support of their recent outstanding release "Easy Tiger" and so far this summer most shows have highlighted the songs from the new album while also showcasing a few standout tracks from older releases especially 2005's Jacksonville City Nights and Cold Roses.

In the past several years Adams has had some well publicized problems with drugs and alcohol that have negatively effected his shows. In the last year or so he has reportedly cleaned up and by most accounts the shows on this tour have been stellar with Adams in fine voice and form.

Adams shows this summer have either been identified as "Red Cave" or "Blue Cave" performances. As cryptic as this may sound "Red Cave" simply means electric shows and "Blue Cave" means acoustic performances. Adams website identifies the Red Rocks show as a "Red Cave" show so fans can expect a full electric set from the band while The Fox Theatre show will be a 50 minute acoustic "Blue Cave" set. Either way Adams is sure to delight fans new and old.

Below is a clip of "Two" from a "Blue Cave" performance on Letterman recently.



Venue:
Thursday: Fox Theatre, 1135 13th St, Boulder, CO 80302 - (303) 443-3399
Friday: Red Rocks Amphitheatre, Red Rocks Park, Morrison, CO 80465 - (720)865-2494

Doors:
Thursday: 7:30 PM
Friday: 5:00

*Approximate Set Times:
Thursday:
Sarah Bareilles - 8:30 PM
Ryan Adams - 9:30 PM
Paula Cole - 10:45 PM

Friday:
Show Starts at 5:30 I imagine Ryan Adams will headline and go on around 9:30 or so.

*Price:
Thursday:
SOLD OUT

Friday:
$37.00 (GA)
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

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Monday, July 30, 2007

REVIEW: Page McConnell - July 16th - The Fox Theatre, Boulder, CO

The Scene: The crowd at the Fox filled in later than I expected as the opener, Natalie Walker, didn't really draw in a following for her short set. Once news of her departure from the stage spread across the hill, the room began to fill up with a typical crowd of former Phish Heads from Boulder, Denver and beyond, and a healthy dose of CU Boulder students who were staying on campus for the summer.

By the time McConnell took the stage with his band the room was all but packed and it erupted with cheering and applause for the former Phish keyboard player. The inevitable super fan was front and center and dancing his ass off arms in the air and hair flailing. It was distracting from where I was standing more than 25 feet from him, I can't imagine how the people immediately around him felt.

As I was leaving toward the end of the night I practically ran into Vince Herman of Leftover Salmon & Great American Taxi who was relaxing in the Lobby enjoying a beer and conversation. It is always nice to see local musicians supporting others as they tour through the area.

Opener: Natalie Walker. Walker has a beautiful voice but unfortunately each song that she sang sounded all but the same. Her ethereal folky sound was in the vein of Tori Amos or possibly Beth Orton but it didn't live up to the grandeur of either one. Perhaps it was because she was playing with a stripped down version of her band (only guitar and keys) or perhaps her music just didn't connect with me. Either way it did seem to be an odd choice to open for McConnell.

Page McConnell: McConnell and his band took the stage at nearly 10:30 to the delight of the packed house and launched right into the second track from his recent eponymous solo album, "Heavy Rotation." The crowd was immediately into it, singing along with McConnell's trademark sing-song style.

Over the course of the 2 hour set McConnell showcased every song from the recent album and served up a heaping plateful of well executed covers as well. He touched on 80's avant garde rock with early in the set when he broke into The Talking Heads "Memories Can't Wait" and then later in the set hit us with the 1-2-3 punch of a rocked out version of Bunny Wailer's "Walk The Proud Land," The Commodores instrumental funk gem "Machine Gun," and the Elvis Costello classic "Pump It Up." It was a great way to the rev up the crowd after a slower middle to the show.

Thoughout the night McConnell seemed to be thoroughly enjoying himself. It was the last night of a six week coast to coast tour and the band was in great form. They were trading solos around the stage all night and though McConnell was obviously the leader of the band it was clear he was careful to select a group of musicians that complemented his style very well.

The band closed out the main set with "Beauty of a Broken Heart," the opening track on the album and song that no doubt reflects on the feelings surrounding his recent divorce. It was a bittersweet ending to a strong set but it brought the crowd back to earth and reminded them that the man they were there to see has a tender and emotional side that is apparent on the new album.

Unfortunately I didn't stick around for the extended encore as it was already well past midnight and I had to make the drive back down to Denver, but from all reports the three songs were crowd pleasers and ended with a rousing version of The Rolling Stones "Monkey Man," to bid the crowd, and the tour, farewell.

Setlist: Heavy Rotation, Close to Home, Memories Can't Wait, Back in the Basement, Complex Wind, Runaway Bride, Final Flight, Everyone But Me, Maid Marian, Walk the Proud Land, Machine Gun, Pump it Up, Beauty of a Broken Heart

Encore: Crew Introductions, Strange Design*, Rules I Don't Know, Monkey Man

* Page Solo

Energy: B+
Sound: A
Musicianship: A-
Stage Presence: A-
Set/Light Show: A-

Overall: A-

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Thursday, July 26, 2007

PICK OF THE WEEK: moe. & Leftover Salmon - Saturday, July 28th - Red Rocks Amphitheatre, Morrison, CO

Why You Should Go: It is a great opportunity to catch two titans of the Jamband world on the same bill at the best outdoor amphitheatre in the world. Leftover Salmon is back on top of the Jamgrass world after taking a break for a couple of years and their Polyethnic Cajun Slamgrass is bound to be as energetic as ever. Frontman Vince Herman's onstage antics are always entertaining and this reuinted line-up features some of the best bluegrass pickers playing today in the persons of Noam Pikelny (Banjo) and Drew Emitt (Mandolin).


moe. will close the show with a set that is bound to delve deep into their 17 year career. The front page of their website reads: Led Zeppelin, Steely Dan and Gram Parsons...from hard rock to melodic country, moe can write songs and they can play the bejesus out of them live. They can deliver live energy to a studio recording and are equally comfortable playing textural musical landscapes or balls to the wall guitar solos. By not limiting their songwriting to preconceived genres, moe. are a rarity in today's pop music culture. See them live, Buy their album, or live an unfulfilled life.

So whether you want to get down to the zany Bluegrass of Leftover Salmon at Sunset or you're hoping for some epic jams from Buffalo New York's moe. Red Rocks is the place to be on Saturday night.

See the clips below for some live footage of each band.

moe.



Leftover Salmon



Venue: Red Rocks Amphitheatre, Red Rocks Park, Morrison, CO 80465 - (720)865-2494

Doors:
5:30 PM

*Approximate Set Times:
Leftover Salmon - 7:00 PM
moe. - 9:30 PM

*Price:
$35.00 (GA)
$39.75 (RES)
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels:

Friday, July 20, 2007

FEATURE: Tokyo Police Club Continue to Arrest Fans Despite Lack of A Full Album

With one EP and scarcely 16 minutes of music released in their brief 18 month lifespan, Tokyo Police club have become a sensation of sorts. They have played Coachella, traveled across the pacific to play a gig in their namesake city in Japan, and just days after The Marquee caught up with keyboard player Graham Wright, they would take the stage at the legendary Glastonbury Festival in England.

“We’ve been asked to play a few festivals this year, we’re doing a bunch in the UK and we’ve done Coachella and Sasquatch already. Cochella was the first one that we got the offer for and that was just incredible. It is just one of those big things that you hear about when you’re a kid and you think ‘wouldn’t that be cool if we could drive out to California and go to Coachella.’ Obviously to be asked to play it was really flattering. Then to be asked to play Glastonbury, which is sort of the Great Grandfather of every festival particularly for people like us who grew up on Radiohead and hearing about the legendary Glastonbury performances by bands that we just loved, is pretty indescribable.”

While Glastonbury and the other festivals TPC will be playing this summer will expose the band to hundreds of thousands of new ears, they owe the most to the very first festival they ever played. Pop Montreal. “Pop Montreal is pretty different from Glastonbury in that it is more like South By Southwest. It is a whole bunch of club shows all happening at the same time,” Wright said. “It really isn’t an exaggeration to say that we wouldn’t be here at all if it wasn’t for Pop Montreal. At that time we had really finished with the band and as far as we were concerned we were just doing it for fun. Everyone was going off to University or a job and we had decided we would get together again later have some more fun, but that’s about it. Being asked to play that festival gave us a reminder of how much we loved it and it came at the right time it gave us a kick and the motivation to try it out for real.”

It wasn’t long after Pop Montreal that the band entered the studio to try their hand at recording some of their songs. The result, their debut EP A Lesson In Crime, clocks in at 16:19 which is shorter than some singles out there today. However, the EP sports 7 songs the longest of which runs a scant 2 minutes and 49 seconds. Despite its brevity A Lesson in Crime gives a tantalizing taste of what this young band is capable of.

“Since we finished the tour with the Cold War Kids a couple of months ago, we’ve been writing,” Wright revealed. “We have this garage in Toronto that we share with another band and we’ve been going in everyday. It’s hot and smelly because of us, but we’ve been working on stuff really intensely and we have seven new songs that we are going to play on tour this summer.”

While they just recently moved out of their suburban childhood homes, the whirlwind of their ride hasn’t given these early 20 somethings too much time to spend in their new urban digs. “No one except for the four of us have been there every day from the get go. In the van, playing shows, recording, doing interviews or whatever,” said Wright. “It doesn’t feel like one day I stepped out shielded my eyes against the glare and thought ‘wow, I’ve made it,’ because we’ve been working as hard as we can for this and we can see that it is paying off. But we have also been able to see every little step it has taken to get here.”

When festival season draws to a close and things slow down a bit, Wright and his band mates, Dave Monks (Bass & Vocals), Josh Hook (Guitar), and Greg Alsop (Drums) will get to really experience living on their own as they go back into the studio to work on their debut LP.

Wright admitted that while he was initially skeptical of what their second shot at song writing would yield, he is thrilled with the first seven songs they have demoed for the album. With the LP slated for a February 2008 release, fans may be disappointed to find out that they will have to wait for some time to be able to take these songs home with them. Until then they will have to be satisfied with catching these youngsters tear it up in clubs across Europe and North America this summer.

Check Out Tokyo Police Club If You Like:
  • Wolf Parade
  • Arctic Monkeys
  • TV on The Radio

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Thursday, July 19, 2007

REVIEW: The Mammals - July 12th - Festival on The Green, Middlebury, VT

The Scene: Middlebury Vermont is a quaint little town about an hour south of Burlington and as luck would have it as I was passing through the town was putting on a series of free concerts on the town green. The concerts dubbed "Festival on The Green" were primarily focused on Folk and Bluegrass and the crowd reflected this. It was largely a seated "wine and cheese" kind of crowd of fleece and Teva wearing Vermonters with a few tourists looking on from the fringe.

Now I put "wine and cheese" in quotes because this festival was actually completely dry. I am not sure why to keep it dry with such a fantastic brewery in town (Otter Creek) but maybe it harkens back to the old days of the puritanic forefathers of our country. Or maybe it is the fact that the Green is squarely in the shadow of a beautiful New England white steepled church. Whatever the reason the lack of alcohol at the event did it's part in keeping the sedate crowd quiet for most of the evening.

The Mammals: The Mammals are a Folk-Rock band based in the Hudson Valley of New York state and it is no doubt that were raised on the early folk songs of Pete Seeger and Woody Guthrie who, also based in the Hudson Valley, used to roam the Northeast singing protest songs and ballads of all the pain and beauty that life has to offer. The Mammals music reflects this influence and they, like all good bands, have put their own spin on the genre and have added a bit more energy and flair to their brand of folk music.

As I walked into earshot of the stage I heard the familiar opening notes of one of my favorite folk songs, 1952 Vincent Black Lightning. Mammal Mike Merenda sang lead on this one and the band did the song justice, pairing the powerful and bitersweet lyrics with a sparse arrangement that floated through the light summer air. It was all the introduction I needed to know that I had to stick around for a bit to see what this band was all about.

As the set wore on, we were treated to more songs from Merenda as well as a few from Fiddle and Ukelele player Ruth Ungar. But is was the songs in English and Spanish from multi-instrumentalist Tao Rodríguez-Seeger that were the most fascinating. As the Grandson of Pete Seeger he was surely steeped in the folk music tradition from a very young age. Rodríguez-Seeger was also perhaps the most interesting of the band personalities as he related tales of being raised in Nicaragua and learning Cuban ballads from the street musicians of Havana. As the set was drawing to a close he played one of the most recognized songs in Cuban music, "Chan-Chan," that The Mammals recorded on their 2004 release Rock That Babe and that appears as the first track on Seminal, Ry Cooder produced, Buena Vista Social Club.

Though there was a loyal contingent of dancers to the left of the stage all night, by the time The Mammals said "good night" much of the crowd was on their feet as the band closed with two raucus and danceable numbers. With much applause and cheering the audience was able to entice the group out for one last tune before the band members retired for the evening.

In many ways The Mammals reminded me of the Virginian Folk band Eddie From Ohio and, while The Mammals draw influences from a more Appalachian source than EFO, they engage the crowd with a similar energy and passion for their work. The result is a very satisfying performance for those who like their Folk music raw and earthy.

Energy: B+
Sound: B
Musicianship: B+
Stage Presence: B+
Set/Light Show: C-

Overall: B

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Wednesday, July 18, 2007

REVIEW: Femi Kuti & Positive Force - July 10th - Higher Ground Ballroom, Burlington, VT

*Listen Up Denver! was on the road last week and caught a couple of shows in Vermont.

The Scene: The Higher Ground is a converted movie theater just outside of Burlington and it is a really nice venue. Whoever laid this place out did it right. With two large bars there was no problem getting service and there were several tables and bar stools that provided plenty of seating for those looking to rest their feet.

The crowd was an diverse mix of old and young from all walks of life. The Afrobeat rythyms of Femi Kuti & Positive Force clearly appeal to a wide range of music fans. More than anything it was nice to get to a show outside of Colorado and see the inside of a new venue and some new faces in the crowd.

Opener: Japhy Ryder. This band put on a stellar opening set. We caught about 30 minutes of their show but they could have gone on all night for all I cared.

This quartet seemed to be from the same Jam/Jazz school as bands like The Slip and Soulive. As with most good bands of this nature a solid rythym section is critical and Japhy Ryder delivered with the stellar bass & drums combination of Patrick Ormiston and Jason Thime respectively. The band is fronted by fantastic Trumpeter Will Andrews and the only place where the band seems to lack a bit is in the guitar department. Jeremy Kizina is clearly talented but seemed to be playing catch up all night with his band mates as if he wasn't quite up to their level. His solos were a bit flat and while every other member of the band moved me at some point during their set the guitar faded into the background most of the time.

Japhy Ryder had the crowd moving and it seemed that many in the crowd were familiar with their music and had in fact maybe come out to see them rather than the headliner. While their shows seem to be largely confied to the East Coast at this point, I did hit the merch table to bring a little piece of their sound home with me and the album does not dissapoint.

Femi Kuti & Positive Force: Femi Kuti (son of the legendary Afrobeat innovator Fela Kuti) and his Positive Force brought their good word to the stage with the force they are named for. 14 members strong, they crammed the ample stage at the Higher Ground with all manner of instruments. A 5 piece horn section (supplement by Kuti himself), keyboards, guitar, bass and two drum sets provided lush undulating rythyms that were harnessed by 3 sensuous female dancers who gyrated tirelessly all night long.

The band took the stage in show band fashion with the rythym section and guitarist and keyboard player taking the stage first and laying down a groove that welcomed the horns to the stage. Once the horns were in their place the dancers joined the fray and once the band got into full swing the man of the hour, Femi Kuti, took the stage front and center and they launched right into their first vocal number.

The sheer number of performers on the stage ratcheted the energy in the room up a notch as they filled our ears with upbeat music that wouldn't stop for the next two hours. Rarely stopping to catch his breath Kuti masterfully conducted the band and led them from song to song pausing only occasionally to thank the appreciative crowd who danced as tirelessly as the band played.

While the music was definately upbeat, fun and very well played I have to confess that as the evening wore on I began to notice that very few songs really broke the mold. There didn't seem to be any slow ballads or really charging numbers. The majority of the songs followed a similar rythmic pattern that was accented with great horn fills and Kuti's positive lyrics. I am not complaining as I thoroughly enjoyed the show, however, I do think that it should be noted that this was not a show that was full of changes in pace or style.

Kuti and his band were full of energy all evening and the half capacity crowd at The Higher Ground was treated to a night of Afrobeat that was effortlessly married to the more familiar American traditions of Jazz and Funk.

Energy: B+
Sound: A-
Musicianship: A-
Stage Presence: B+
Set/Light Show: C+

Overall: B

NOTE: You can catch Femi Kuti & Positive Force at The Boulder Theater on Tuesday July 31st.

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Monday, July 16, 2007

PICK OF THE WEEK: Tokyo Police Club - Saturday, July 21st - The Larimer Lounge, Denver, CO

NOTE: It is a particularly good week for the Devner music scene this week, while I will highlight one show as usual please take the time to dig up some info on the following shows:

  • Monday: Page McConnell (of Phish) @ The Fox Theatre in Boulder
  • Wednesday: Jacob Fred Jazz Odyssey w/ The Sputter @ Cervantes in Denver
  • Thursday & Friday: Bob Dylan w/ My Morning Jacket @ Red Rocks in Morrison
  • Friday: Built to Spill @ The Ogden Theatre in Denver
  • Saturday: Leo Kottke @ Chautauqua Auditorium in Boulder
  • Sunday: The Polyphonic Spree @ The Gothic Theatre in Denver

Why You Should Go: With one EP and scarcely 16 minutes of music released in their brief 18-month lifespan, Tokyo Police club have become a sensation of sorts. They have played Coachella, traveled across the Pacific to play a gig in their namesake city in Japan, and more recently the band took the stage at the legendary Glastonbury Festival in England.

Their sound is reminiscient of their Canadian brethren Wolf Parade they weave Flaming Lips like moments and lyrics into their music effortlessly. All quite an set of accomplishments for a group of guys in their early 20's.

In addition to playing at several major festivals Tokyo Police Club recently toured with The Cold War Kids and drew rave reviews for their energetic (though brief) live performances. In a standout moment on that tour one evening when TPC drummer Greg Alsop fell sick, all eight members of The Cold War Kids and tour mates Delta Spirit joined the remaining members of the band on stage for an acoustic jam session that wowed the crowd. Clips of the mayhem are available on YouTube but the sound quality is just too poor to include here.

Before they return to the studio to record their first proper full length later this year Tokyo Police Club is touring small clubs extensively. Don't miss the opportunity to catch the raw energy of this band before they polish it up and end up on the theatre circuit.

Follow this link to view their performance on Letterman recently: http://youtube.com/watch?v=767XpOvT5FU



Venue: Larimer Lounge, 2721 Larimer Street, Denver, CO - 303.291.1007

Doors:
8:00 PM

*Approximate Set Times:
Laylights - 10:00 PM
Dappled Cities - 11:00 PM
Tokyo Police Club - 12:00 AM

*Price:
$10.00 (ADV)
$12.00 (DOS)
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels:

FEATURE: Page McConnell Returns with His First Post Phish Project

It has been nearly three years since four of Vermont’s most famous musicians took their final bow on the stage of their final festival, Coventry. Those four men have gone their own ways and are now seeking new musical identities. Page McConnell, possibly better known as The Chairman of the Boards, has finally broken his silence with a self titled solo album rather than in the form of his hiatus project, Vida Blue.

After that final bow, McConnell more or less went home and said “now what?” “As a member of Phish for so many years that kind of became my identity, even to myself to a degree,” McConnell said speaking with Listen Up Denver! while getting ready to head out on the road for the first time in several years. “I don’t think I even realized how much that was the case until some time had passed and Phish wasn’t around and it was just me. At that point in my life, to have everything completely cleared off the table and to have a blank slate in front of me isn’t an opportunity that everybody has and I wanted to make sure that I appreciated that.”

“Fortunately I wasn’t in a situation where I had to run off and put together Vida Blue and hit the road again. What if I wanted to switch careers entirely and look at some other profession? I didn’t do it, but it was important to just to acknowledge it and to spend some time realizing that I was at one of those points in my life that maybe comes along only once where I had the ability to look around and say ‘what is it that I want to be doing now?’”

As he ruminated over these thoughts McConnell began to toy with writing songs again. “As much as I enjoyed Vida Blue, and maybe someday I will get that together again, this album was really more about me in my own home studio writing. That is really where it all came from,” he said. “I wanted to do something different; I wanted to be comfortable in my own place.”

Though he seems to have gotten comfortable, the songwriting process has never been easy for McConnell who wrote his senior thesis on “The Art of Improvisation.” “It took me a long time to write the songs for this album ‘cause I am just kind of a slow writer. Each song on the record was really a labor of love and just kind of plugging away at it and working and reworking the lyrics until I got something that I was happy with. If I didn’t have the time that I had over the past two years making this record it probably wouldn’t have happened like this. It was something I was doing for myself and I wrote more songs for this album than I’d written in my life collectively up to this point.”

The album is much more of a singer songwriter project than some might have expected from the architect of some brilliant 10 plus minute piano solos, but it still retains McConnell’s signature vocal quality. Old fans will be calmed and new will be welcomed by the personal quality that saturates his high tenor.

While this very welcoming voice appears on 8 of the albums 9 tracks, the one instrumental piece, “Back in the Basement,” which McConnell testifies was written “within hours of the recording session,” has been counted by many as their favorite track on the record.

Joining McConnell on “Back In the Basement” and two other tracks on the album is legendary session drummer, and Beatle chum, Jim Keltner. “I’d always liked his playing a lot and basically made a call and he decided to help me out,” McConnell remembered. “It was a huge thrill.”

In addition to Keltner, each of McConnell’s three former bandmates makes an appearance on the album though he is quick to point out that “none of them were in the same room at the same time.”

“Their playing is so unique and great and recognizable that their contribution to the album is immense but they were involved for a relatively short time in comparison to the 18 months I spent on the project.” Anastasio visited the studio for about 90 minutes with his guitar and laid down a solo, Mike Gordon added his bobbing baselines to three tracks and John Fishman’s distinctive drums are audible on six.

While no one knows where any of these three may show up on tour, none will be officially joining The Chairman’s band on the road this summer. “It will be a five piece band including myself,” said McConnell. “Adam Zimmon, a friend that I met playing with the Spam All-Stars, is playing guitar. Gabe Jarrett is playing Drums, Rob O’Dea is playing bass and Jared Slomoff, who co-produced and engineered the album with me, is playing keyboards and singing.”

“We are a very young band, we’ve only been together for a couple of months, and the responsibility of entertaining for two sets is . . . well . . . daunting.” When the band first hit the road this spring they drew almost completely from the new record. Though the sets on this summer’s tour will focus on McConnell’s new album he and his band have been able to work a few covers and old favorites into the set and presumably more will rear their heads as the band logs more miles. “We’ve expanded the repertoire considerably since our first shows and while we will focus on the album because that is what I am heading out to promote right now, we will make every show different.”

While the shows will not be a trip down a musical memory lane for Phish fans, McConnell has thankfully decided to do his best to ensure that many new musical memories are made. “I’ve really enjoyed myself over the last couple of years and grown comfortable with where I am and I’m happy about this project and where I landed.”

Check Out Page McConnell If You Like:
  • ALO
  • Bruce Hornsby
  • moe.

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Thursday, July 05, 2007

PICK OF THE WEEK: Mark Farina - Saturday, July 7th - Twist and Shout, Denver, CO & The Fox Theatre, Boulder, CO

Why You Should Go: Because Mark Farina mixes the finest in downtempo groove and jazzy flavored hip-hop. His genre bending ways have led to the creation of of a new genre known as Mushroom Jazz. The Mushroom Jazz sound evolved when Mark found himself being assigned to the "B" room at a club in Chicago instead of the main room. "As opposed to competing with the house music being played in the other room I decided to play more mellow stuff that you couldn't really play in the house room."

Around the same time, music like De La Soul, A Tribe Called Quest, Soul2Soul, and labels like Acid Jazz and Talking Loud were just starting to release their music, and Mark found more and more inspiration for this new sound he was DJing.

"After a while playing in this other room I began to make a tape series and I called it Mushroom Jazz. The Acid Jazz term seemed a little too abrasive and I wanted something a little more organic for the sound I was trying to develop." The tapes evolved into a series of releases that is now 5 volumes strong.

Farina's most recent release House of Om has been hailed by fans and critics alike. In their recent review of House of Om DJ Times said "Every once in a while, an entire genre of music can be defined by the tastes and technique of the selector who somehow understands it better than anyone else. Such is the sort of success that San Francisco - based DJ/producer Mark Farina has achieved for himself since starting off as a record collector and dedicated beatfreak in the house mecca of Chicago."

So whether you are a fan of his House mixes or his Mushroom Jazz a party where Farina is spinning is always a good excuse for a night out. For those of you who can't brave the full on party at The Fox, check out Farina spinning the afternoon away at Twist and Shout in Denver on Saturday afternoon (4-6).



Venues:
Day Show: Twist & Shout, 2508 E Colfax Ave, Denver, 80206 - (303) 722-1943

Night Show: Fox Theatre, 1135 13th St, Boulder, CO 80302 - (303) 443-3399

Doors:
Twist - 10:00 AM
Fox - 8:30 PM

*Approximate Set Times:
Twist:
Mark Farina - 4:00 PM

Fox:
DJ Harry - 9:00 PM
Mark Farina - 10:00 PM

*Price:
Twist:
Free!

Fox:
$22.50 (ADV)
$22.50 (DOS)
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels: