This blog is dedicated to music, live and recorded. I review shows and albums and also publish feature stories on artists.

Wednesday, May 30, 2007

PICK OF THE WEEK: The New Mastersounds - Thursday, Friday & Saturday, May 31, June 1 & 2, Various Front Range Venues, CO

Why You Should Go: The New Mastersounds are a world-class, world renowned, instrumental funk band with 7 years of live performing, 5 full-length album releases and 21 seven-inch single releases under their belt. The line-up: Eddie Roberts (guitar & tambourine), Pete Shand (bass), Simon Allen (drums), Joe Tatton (Hammond & Rhodes) and Rob Lavers (sax & flute).

All five of them met in Leeds, UK, and, as a BBC reviewer says, "NMS may cause some confusion: how can a collection of (mostly) pasty-faced Northerners produce with such authority the dusty funk grooves of the early 70s? It doesn't matter - they just do."

Though the NMS sound is very much their own, there are strong influences from the late-sixties soul-jazz of artists such as Jimmy McGriff, Lonnie Smith and Grant Green, as well as New Orleans funk pioneers the Meters. As a band, and as individuals, they have since clocked up collaborations with an impressive array of musicians DJs and producers, including: Lou Donaldson (Blue Note), Corinne Bailey Rae (EMI), Carleen Anderson (Young Disciples / Brand New Heavies), Keb Darge & Kenny Dope (Kay Dee Records), Andy Smith (Portishead), James Taylor (JTQ), LSK (Faithless), and Karl Denson (Lenny Kravitz / Greyboy AllStars).

The New Mastersounds are at the very top of an elite selection of acts that bring the true soul out of funk.

Venues:
Thursday - Hodi's Half Note, 167 N. College Ave, Fort Collins, CO 80524 - (970) 472-2034
Friday - Quixotes, 2637 Welton St, Denver, CO 80205 - (303) 297-1772
Saturday - Fox Theatre, 1135 13th St, Boulder, CO 80302 - (303) 443-3399

Doors:
Thursday - 8:00 PM
Friday - 9:00 PM
Saturday - 8:30 PM

*Approximate Set Times:
Thursday:
The Center Fit 3 - 9:00 PM
New Mastersounds - 10:00 PM

Friday:
New Mastersounds - 11:00 PM

Saturday:
Special Guest - 9:00 PM
New Mastersounds - 10:00 PM

*Price:
Thursday:
$6.00 (DOS)
Tickets At The Door Only

Friday:
$10.00 (ADV)
$12.00 (DOS)
PURCHASE FRIDAY

Saturday:
$10.00 (ADV)
$12.00 (DOS)
PURCHASE SATURDAY

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

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Friday, May 25, 2007

REVIEW: The Hold Steady - May 22nd - The Ogden Theatre, Denver, CO

The Scene: We got to The Ogden REALLY early as I wanted to be sure I could see the stage for this one and we ended up right at the front of the balcony (best spot in The Ogden IMHO) which I was thrilled about but we had to wait a while for The Swayback to come on. As the crowd filtered in, there were people from just about every walk of life. There was an older couple next to us enjoying their beers and chatting, teenagers camped out right in front of the stage, hipsters and preps, meatheads and sorority girls. It was a great crowd and by the time The Hold Steady came on the venue was about 3/4 full . . . perfect for the Ogden, any more and people can't see upstairs and it gets to crushed downstairs.

Opener: The Swayback. Solid local Denver power trio with a Sabbathy feel. It was too bad there weren't more people in the venue for their set. I would definately check them out at a smaller venue in town as they have the 70's rock thing down pretty well. I do think that they could be a little tighter as a band but that will come with time I am sure. Unfortunately the guy running the light board for their set obviously didn't give a damn about what he3 was doing as for much of the set Lead Singer and Bassist Eric Halborg was virtually in the dark.

Opener: The Heartless Bastards. To be honest I didn't dig these guys as much as I thought I would. They are a three piece from Cincinatti and they played a interesting blend of indie rock tinged with Alt-Country. Lead singer Erika Wennerstrom's voice seemed to get lost in the mix as she hollered her way through the bands 35 minute set.

The standout member of band was drummer Kevin Vaughn who sat hunched over the drums vaguely resembling a gorilla as his sticks deftly floated around the kit in perfect time.

The Hold Steady: In the words of Craig Finn "I think it goes without saying to say" that anyone who has seen The Hold Steady for the first time recently wished they saw The Hold Steady years ago in a much smaller venue. They are a bar band that sweats when they rock and doesn't hold back. It was no coincidence I am sure that when they came on shortly after 10 the house sound system was blaring Boston’s “Rock-n-Roll Band.” While these guys are from Brooklyn (via Minneapolis) and not from Boston, they are on the road trying to make ends meet and judging by their performance in Denver, I am sure they are doing just fine.

As if to say, “if you came to hear this, you can go home now,” Craig Finn and company opened up with “Stuck Between Stations.” The track, the first on their dazzling third album Boys and Girls in America, is probably the biggest hit of their relatively short career. Tad Kubler’s E Street strum was bolstered by the raucous rhythm section and Franz Nicolay’s barroom piano. The party was in full swing by the time Finn got to the first line of the song and he didn’t let it slow down all night.

In his own unique voice Finn sang about betting on the pony’s, high school dances, acid trips and religion while introducing us to some of the most well developed characters in modern rock music. After a short time with The Hold Steady we all felt like we knew Charlemagne, the strung out addict, and Holly, the hoodrat who found religion. Finn has a way of telling a story that really worms its way into your soul. Lyrics like “if they ask about Charlemagne be polite and say something vague,” or “Holly was a sexy mess. She looked strung out but experienced,” usher you into the world of Penetration Park, The Party Pit, Ybor City and Hostile Massachusetts. It isn’t a world that many of us would venture into on our own but hand in hand with The Hold Steady it’s a hell of a ride.

Between songs Finn’s banter was upbeat. Before the band ripped into “Chicago Seemed Tired Last Night” he asked us how many people were from the Twin Cities. When the loyal contingent screamed and waved he thanked them for being the ones that moved to Denver and not Chicago. He also shared a personal pet peeve of his when he introduced “Most People Are DJs” by saying “I don’t know if you all have this problem in your town, but back in New York there are DJs everywhere. They are in the Laundromats, the coffee shops, the bookstores and the clothing stores. I wrote this song about everyone who thinks they’re a DJ.”

All in all, the band careened their way through 13 songs in nearly 70 minutes before heading off the stage. The crowd wouldn’t let up and it wasn’t long before Finn was back at the mic thanking us profusely for our enthusiasm. For the first time all night the pace slowed as the acoustic guitars came out and Finn slid into his ode to booze, Citrus. The opening line “hey citrus hey liquor, I love it when when you touch each other,” spoke to the crowd who held their drinks high in approval.

To round out the evening, Finn led his band through an extended version of “Killer Parties” that featured some guitar acrobatics from Kubler while Finn himself lurched around the stage vaguely in time to the music. Are they the second coming of The E Street Band? No. While there is no doubt draw inspiration from Van Zandt and the rest of Springsteen’s crew, they are The Hold Steady and they seemed thrilled about it. They truly seem to be one of the bands out there who love every minute of being on stage doing what they love.

As the house lights came up and we all filtered out of the venue, the last lines of “Killer Parties” ran through my head and I thought about how well it captured the feeling of a Hold Steady show.

“If she says we partied then I'm pretty sure we partied. I really don't remember. I remember we departed from our bodies.”

SETLIST:
*Came on at 10:05 to Boston's "Rock and Roll Band"
Stuck Between Stations
Chips Ahoy
The Swish
Hot Soft Light
Massive Nights
Party Pit
Chicago Seemed Tired Last Night
You Can Make Him Like You
Stevie Nix
Guys Go For Looks Girls Go For Status
Your Little Hoodrat Friend
Southtown Girls
How A Ressurection Really Feels

Encore:
Citrus
First Night
Most People Are DJs
Killer Parties
* Went Off at 11:30 to Willie Nelson's "Blue Eyes Crying In the Rain"

Energy: A
Sound: B+
Musicianship: B+
Stage Presence: A
Set/Light Show: C+

Overall: A-

Labels:

Monday, May 21, 2007

PICK OF THE WEEK: The Hold Steady - Tuesday May 22nd - The Ogden Theatere, Denver, CO

Why You Should Go: Because these guys are one of the best bar bands this side of the E Street Band and Craig Finn's vocals are reminiscent of The Boss while maintaining his own gruff identity. Their incendiary live shows draw rave reviews on both sides of the Atlantic and they had the distinct honor of being the the first rock group to grace the Village Voice's front page in 15 years in May of 2005.

The Hold Steady's recent release Boys and Girls in America is the prolific bands 3rd release since 2004 and the title really captures what Finn's lyrics are about. His character driven songs bring to life teenage coke addicts, young lust, and summertime beer bashes. A bar room poet of sorts Craig Finn has rapidly gained a following and deservedly so. Songs like "Your Little Hoodrat Friend," "Massive Nights" and "The Party Pit" will take you back whether you're 17 or 33.

This isn't a show to bring your mother to, pack the cooler full of PBRs, call your best buddies and get ready for a night of old fashioned rock-n-roll.

Venue: The Ogden Theatre, 935 E Colfax Ave, Denver, CO 80218 - (303) 830-2525

Doors:
7:00 PM

*Approximate Set Times:
The Swayback: 8:00 PM
The Heartless Bastards: 8:45 PM
The Hold Steady: 9:45 PM

*Price:
$15 - General Admission
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels:

Tuesday, May 15, 2007

FEATURE: The Killers Break Out Of Sam's Town

The Killers have been clawing their way up through the ranks of today's musical elite for the better part of five years now. Their humble beginnings in Las Vegas have given way to plush tour buses, sold-out arenas and invitations to participate in some of the highest profile musical projects of our time.

Their up-tempo, hook-driven, melodic style is tailor made for huge stadium shows and modern rock radio. With their sophomore album, Sam's Town, having already sold nearly 3 million copies and their debut Hot Fuss soaring over 5 million, The Killers are well on their way to realizing their dreams of becoming one of the biggest bands in the world. The Killers machine may be a musical juggernaut that is rolling downhill right now, but it isn’t all champagne and massages for the men who make the music.

"We just finished sound check and are scheduled to go in a couple of hours," said bassist Mark Stoermer in a recent interview with Listen Up Denver! from backstage at The Hard Rock Café in Hollywood, Florida. The Florida show is just another night of a seemingly endless road trip. Stoermer has been on the road with bandmates Brandon Flowers (vocals), Dave Keuning (guitar) and Ronnie Vannucci, Jr. (drums) for eight months solid and their schedule shows no signs of easing up with a slew of shows planned well into the summer.

"I think being stuck together as much as we are would be tough for any group of people," Stoermer admits. "We have our ups and our downs, like a family would. However, if we have a bad day at this point we get over it pretty quickly because we know we are stuck together anyway. It’s rare that an argument or a fight will be a big deal a couple of days later." While all this time on the road is tough on the individuals, it has allowed them to become a much better band. "The shows are better than they were for the first album," Stoermer said. "We are a better live band and we are more comfortable on stage."

The Killers meteoric rise to fame started just five years ago when Flowers and Keuning would gig on the small dark stage of a transvestite club on the seedier side of Sin City when they weren’t working their day jobs. They were playing with a drummer and bassist but it was clear the line-up wasn’t gelling as a band and things were about to change.

"Dave and Brandon had a demo floating around Las Vegas and a good friend of mine got hold of it. I immediately thought it was amazing, as it had an early version of ‘Mr. Brightside’ on it. It was a really bad version but I could hear the genius in it. I went to see them, became a fan and started hanging out with Dave a lot," Stoermer remembered. "I had told them that I played bass and it wasn’t long before I got a call from Dave telling me they had gotten rid of their bass player and their drummer. They were pretty sure Ronnie was going to join on t he drums and I knew that if Ronnie played drums and I played bass this would be an amazing band."

It turns out that Stoermer was right. He and Vannucci are still side-by-side, holding down the low end of the sound and "Mr. Brightside" became one of the biggest hits of 2004.

Fortunately, The Killers have left the seedy side of Vegas in their wake and while most of their stateside shows are now selling out, the band is even more popular in Europe and other parts of the world.

"We had never to been to Mexico ‘til December of last year when we went down there and played to a sold-out 18,000 seat arena and the crowd was amazing," Stoermer said. "We have crazy crowds in Europe but I think that it was even crazier in Mexico, where everyone was singing every word to every song. It was probably the best crowd reaction we have had anywhere we have played. It was kind of overwhelming, to be honest."

Though the Mexico City gig is high on the list, Stoermer said The Killers invitation to join the bill on the London stage of Live 8, in July of 2005, is on the top of his list of memorable concerts. "Even though it was only one song, we got to share the stage with U2, Paul McCartney, Pink Floyd, and The Who. To be there with so many of our heroes all in one day was amazing," he said.

Several of the band’s other heroes, such as Elton John, David Bowie and Morrisey, have showered praise on The Killers and even Bono has gotten hooked. In November of 2005 he invited Flowers to sing a duet of "In a Little While" with him when U2 played the MGM Grand in The Killer’s hometown.

More recently, The Killers have been invited by the BBC to participate in a radio special honoring the 40th anniversary of the release of The Beatles classic Sgt. Pepper’s Lonely Hearts Club Band.

While Stoermer admits it is an honor to be included in the project alongside bands such as Oasis, The Kaiser Chiefs and Travis, he is quick to add that The Killers’ participation is not yet confirmed. "The people who are organizing this thing haven’t gotten back to us, and we aren’t even sure what it is. We just know there is a radio show involved and we are trying to get more information," Stoermer said. "Out of the songs we were told were left, we were going to try to learn ‘Fixing A Hole,’ because all the songs are great and we thought that would suit us the best. So, if we end up doing it, I wouldn’t be surprised if that is the one we do, but as I said, it isn’t confirmed yet and it might not happen."

If it does happen, Stoermer will be one of the happiest members of the group as he been a life-long Beatles fan. In fact, when the subject of playing at Red Rocks came up, he was quick to mention that it was an honor to play the fabled venue for a variety of reasons, including that it was one of the relatively few places in the U.S. where The Beatles played. So far in their young career, The Killers have had quite a run and they seem to have the drive, dedication and devotion to their craft that it will take to succeed in the long term. They may not have the soul of, say, Otis Redding or Aretha Franklin, but these young men are certainly soldiering on toward rock and roll greatness.

Check Out The Killers If You Like:
  • Oasis
  • New Order
  • The Bravery

Labels:

Monday, May 14, 2007

PICK OF THE WEEK: Soleside - Thursday, Friday & Saturday - May 17, 18, 19, Various Front Range Venues, CO

Why You Should Go: Soleside is the most recent side project / collaboration that String Cheese Incident Keyboard player Kyle Hollingsworth is participating in. Of all Hollingsworth's side projects this one seems to have the most potential for groundbreaking musical exploration as he has teamed up with Hip-Hop pioneer Speech (Arrested Development) and turntablist extraordinaire DJ Logic. The three will be backed by guitarist Ryan Jalbert from the Motet and a rhythm section made up of Motet bassist Garrett Sayers and Denver area drummer Damien Hines. Together Soleside will smash jazz/funk, hip-hop and turntables into an explosive new style that defies categorization. "We will rock the funk out," said Hollingsworth about the project.

As the end of String Cheese Incident nears it is exciting to see the members pursuing their own musical futures and even more exciting that we on the Front Range get to see the projects in their infant stages. Hollingsworth has consistently pushed the sound of String Cheese and will certainly survive musically once that band has run it's course. Whether it will be with Soleside or another yet to be conceived of project remains to be seen but the one thing that is for sure is that this line-up will be a treat to see in the intimate confines of these three venues.

Randy Ray of Jambands.com recently conducted an interview with Kyle Hollingsworth and they discussed the origins of Soleside and touched on the end of The String Cheese Incident. To read it click here.

Visit kylehollingsworth.com for more information.

Venues:
Thursday - Aggie Theatre, 204 S College Ave, Fort Collins, CO 80524 - (970) 482-8300

Friday - Cervantes, 2637 Welton St, Denver, CO 80205 - (303) 297-1772

Saturday - Fox Theatre, 1135 13th St, Boulder, CO 80302 - (303) 443-3399

Doors:
Thursday - 8:00 PM
Friday - 8:00 PM
Saturday - 8:30 PM


*Approximate Set Times:
Thursday:
TBA - Call Venue or Visit Venue Website for More Info

Friday:
TBA - Call Venue or Visit Venue Website for More Info

Saturday:
TBA - Call Venue or Visit Venue Website for More Info

*Price:
Thursday:
$19.00 (ADV)
$17.00 (DOS)
PURCHASE THURSDAY

Friday:
$15.00 (ADV)
$17.00 (DOS)
PURCHASE FRIDAY

Saturday:
$13.00 (ADV)
$15.00 (DOS)
PURCHASE SATURDAY

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels:

Wednesday, May 09, 2007

FEATURE: Miguel Migs Talks About "Those Things" and Other Things

San Francisco has long been thought of as one of the cities at the forefront of the world’s music scene. In the 1960s, the Bay Area exploded with the music that fed the counterculture movement. Bands like The Grateful Dead, Jefferson Airplane, Quicksilver Messenger Service and Big Brother and The Holding Company were thriving in the community and their music was spreading across the country like wildfire. Today, the music-friendly culture of the city has proven a fertile breeding ground for a totally different style of music - electronic.

The active club scene in the city has propelled the careers of several world class DJs, including Miguel Migs (aka Pedalpusher). Migs started his musical journey just south of San Francisco in the surf town of Santa Cruz as the lead guitarist and songwriter for local dub/reggae band Zion Sounds.

When Zion Sounds dissolved in the late ’80s, Migs turned his focus to electronic music. "The fact that you can be one guy in a studio with a keyboard and some equipment and be able to make music that moves dance floors across the globe is fascinating to me," said Migs in a recent interview with The Marquee. "I have the freedom to incorporate all sorts of different elements and styles rather than only drums, guitar and bass."

The influence of being in a band during his teenage years still shows up prominently in his sound today. "I incorporate a lot of live instrumentation into my music. I combine the best of both worlds. I always bring in live percussion, live guitars, live bass and live horns and have fun with combining all those different elements into a track," Migs said.

The result is a very deep, organic sound that throbs with sensuality and churns dance floors around the world into a sweaty cauldron of bodies. Migs has had the opportunity to tour the world promoting his music and is thrilled with the response everywhere he goes. "It is kinda cool to know that this kind of music is so big, not in the commercial sense necessarily, but it has such a strong global following," Migs said. "There are people that buy my CDs in Moscow, South Africa, Japan, Australia and Iceland and it is an amazing feeling when I am playing to a crowd in a city I have never heard of and people are singing along with the songs. It is pretty intense."

Currently, Migs is touring in support of his recently released artist album "Those Things" that he put out in March on his own Salted Music label. The album, which he says is "electronic music inspired by old soul, funk, reggae and hip-hop," features several vocalists from different genres contributing to the tracks. The world of funk is represented by Fred Ross of Sly and The Family Stone, and Migs returned to his reggae roots, getting to work with Junior Reid of Black Uhuru.

"I have been a fan of Junior Reid’s work since I was a kid and I was at one of his shows when I noticed a good friend of mine was playing bass in his band. I called my friend the next day and asked if Junior was in town because I wanted to see if he would be interested in working with me on a song for my album," said Migs. "My friend put us in touch, we talked, and I played Junior some of my music. He liked it and agreed to come into the studio with me to record. We started fresh with a track I had put together and he just started free-styling in the studio. I kind of pieced together his vocals from the various takes and free-styling ideas. It was a bit of an editing nightmare but it came out well in the end."

Longtime Migs collaborator Lisa Shaw also contributed to several tracks on Those Things and will be joining Migs on the road this spring. "She is such a phenomenal singer and performer that she brings a lot to the set," Migs explained. "The gigs will be mostly DJ oriented but I am bringing Lisa [Shaw] and Tim Fuller along to add a live element to the event that satisfies the audiences’ desire to see some sort of performance."

While he is publicly focusing on the DJ angle right now, Migs disclosed that he also is in the midst of putting a live band together that he hopes to have ready for some appearances this summer. "We are going to play most of the songs on the album with the new band," Migs said. "Most of the tracks have a lot of live instrumentation anyway so it isn’t that hard to i magine those songs being performed by a live band."

With his DJ tour, the live band and his record label, Migs keeps himself extremely busy and yet still finds time to remix songs for very noteworthy artists from Macy Gray to Lionel Ritchie to Britney Spears. He is prolifically creative and one of the most organic electronic music artists to come out of a city that is ripe with talent.

Check Out Miguel Migs If You Like:
  • Mark Farina
  • Blue Six
  • Jamiroquai

Labels:

Monday, May 07, 2007

PICK OF THE WEEK: RJD2 - Wednesday, May 9th & Thursday, May 10th - Boulder & Denver, CO

Why You Should Go: RJD2 has steadily worked his way up the ranks of hip-hop credibility since the release of 2002’s Dead Ringer LP. The 30-year-old Philadelphia resident and multi-instrumentalist RJD2 has since released two records, 2004’s Since We Last Spoke and more recently the decidedly more poppy The Third Hand.

For The Third Hand RJD2 seemingly abandons all the notions and titles that have been placed upon him over the past six years. Underground hip-hop super-producer to many, virtuoso sample-based instrumental wizard to some, RJD2 embodies all of these things on “The Third Hand” but placates none who seek more of the same. Recorded, performed, arranged, and produced entirely himself in his basement studio, RJD2 commands his trusty MPC 2000XL sampler/sequencer alongside a pantheon of analog synths, electric pianos and guitars, not to mention his own voice. Most notably, live instruments come in to play – RJ adds another dimension to his music, no longer satisfied with recording directly off of a sampler.

Currently RJD2 is on the road with a full band to reproduce the sounds that he performed on the record. It will be a departure from past RJD2 shows but it is guaranteed to please even the most hardcore fan out there. "This album is a continuation of what I was doing before. The music is still the same. I’m just using different tools," he said in a recent interview. Fans should be excited that he was also quoted as saying: "Music is more exciting than it’s ever been to me. I’ve learned more about music, in a general sense, in the last two years than I have in a long, long time."

-Portions reprinted from RJD2's current press release. Thanks to Tiffany Childs of The Marquee Magazine for the Quotes. See her article on RJD2 in the current issue of The Marquee (http://www.marqueemag.com/05.07/rjd2.php)

Venue:
Fox Theatre, 1135 13th Street, Boulder, CO 80302
The Bluebird Theater, 3317 E. Colfax Ave, Denver, CO 80206

Doors:
Wednesday - 8:30 PM
Thursday - 8:00 PM

*Approximate Set Times:
Wednesday
RJD2: 11:00 PM
Pigeon John: 10:00 PM
Happy Chichester: 9:00 PM

Thursday
RJD2: 11:00 PM
Pigeon John: 10:00 PM
Happy Chichester: 9:00 PM

*Price:
Wednesday:
$20 - General Admission
PURCHASE

Thursday:
$20 - General Admission
PURCHASE

*All times and prices are gathered from other sources and I am not responsible for mistakes or inconsistencies. They are intended only as guidelines. Please, always call the venue if you desire the most accurate information possible.

Labels:

Saturday, May 05, 2007

REVIEW: Bassnectar - May 3 - The Bluebird Theater, Denver, CO

The Scene: The energetic group of ex-ravers, hipsters, and hippies and curious music fans by that gathered together at The Bluebird on Thursday night was quite the eccentric mix. There were loads of hip hats, wild piercings, barely clad dancers and even a full length glow in the dark fur coat. It was a wild scene with plenty of eye candy that really accentuated the party vibe that the DJs were trying to cultivate on a Thursday night. Props to the crowd for doing their part and stepping up to make this evening a delight. As anyone who has been to any kind of live music event knows, the energy of the crowd makes a huge difference in the vibe in the venue. Bassnectar acknowledged this on a couple of occasions during his set and commended the crowd for coming out on a Thursday night and getting down with him.

Opener: J-Boogie. I knew very little about J-Boogie before walking into The Bluebird the other night, but I did know a decent amount about Soul, Funk, Reggae and World Music and J-Boogie proceeded to school me anyway. His 90 minute DJ set incorporated a tribute to James Brown, a track from Sergio Mendez recent collaboration project with Will.i.am and the Marvin Gaye classic Sexual Healing while keeping the crowd on their toes and dancing.

Clad in white pants, shirt and hat, J-Boogie could have stepped off of the Boogie Nights set minutes before stepping out on stage. He really got the party rolling with the warm crackles of his old vinyl. While J-Boogie didn't throw down the massive bass or quite the throbbing jungle beats the Bassnectar did, he got everyone to don their dancing shoes and warmed us all up very well. I'd go to a party thrown by this guy any day!

Bassnectar: Bassnectar chose his name wisely, as his music is drenched in some of the deepest most body shaking bass in the business. While he concentrates on throwing down the bass he doesn't forget to throw a great party. Shortly after he took the stage the right side of the stage was taken over by 15 female dancers who came up out of the crowd to help with the party vibe. The stage was also occupied by several MC's (including Souleye) who added vocals to Bassnectar's tracks throughout the evening, and a digital artist who was working on a giant tablet and projecting his every move on a screen above the stage.

It was an aural and visual orgy of sorts with so many stimuli being received that you just had to let yourself go and enjoy it rather than try to understand it. When you let go, you felt your body begin to move to the densely layered beats and suddenly you understood why this guy has risen to the level of popularity that he has. His appeal in the Jamband, Hip-Hop, Electronic music scenes originally confused me but after seeing him live for the first time, it all began to make sense. His genre bending talents appeal to people who respect artists that know how to take control of an audience and make them feel a certain way. Bassnectar has this talent and while I would shy away if you really can't take loud bass I would recommend the Bassnectar experience to just about anyone else.

Energy: A+
Sound: A-
Musicianship: B+
Stage Presence: A+
Set/Light Show: A

Overall: A

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